ALBUM PROFILES BY JAY MAZEFFECT

Mike Ferraro & The Young Republicans - "what's yours is mine"


Picture, if you will, the angel and devil that reside on the shoulders of John Rzeznik, lead Goo from the Goo Goo Dolls*. Picture them arguing back and forth, while John eats his cereal (Capt. Crunch, I presume) and waxes and wanes about his day. This musical push and pull is at the heart of Mike Ferraro & The Young Republicans album entitled "What's Yours Is Mine". Let me quantify this: The angel represents The Goo Goo Dolls of "Superstar Car Wash", an excellent slice of American rock and roll, and the Goos at their apex. The devil represents most anything after "Iris" was released (sure, "Slide" was a good tune, but it gets pretty desperate beyond that).

"What's Yours Is Mine" is that musical tug of war played out over the course of twelve songs. Sitting between rock and an Iris place, this album feels like it's on the precipice of something great, but there's an uncertainty about the vocals that makes it feel like it's unsure of its own path. Musically it's slightly raw in that charming, independent rock sort of way (which is something I love). In my opinion, it needs some more "oomph" behind the vocals. Not necessarily a forceful sound, but a delivery that speaks of conviction. Which brings me back to Mr. Rzeznik, eating his cereal, listening to that angel/demon battle, contemplating which way to turn. This album is that middle ground. This album shows this band has the potential to be a "Superstar Car Wash". I have the feeling that whenever Mike and the boys make another record, it will eclipse this one. This is just the beginning, and it speaks of great potential.

*Check your prejudice at the door. The Goo Goo Dolls at one time were an incredible band. Listen to "The Girl Right Next To Me" and tell me otherwise. I dare you.

Rating 6/10 Get in on the ground floor. This ride is going up.
- Jay Mazeffect







Growing up in suburban north Jersey during the grunge ’90s (circa 1991: The Year Punk Broke!), all young Mike Ferraro wanted to do was rock. But as Mike soon learned, rocking out to his favorite bands on the radio simply wasn’t satisfying enough. For lying dormant throughout these formative listening years were clandestine aspirations to sing and play guitar–maybe even for a project of his own someday. And learn he did: first covers of rock songs by the likes of Nirvana, The Beatles, Guided by Voices and Neutral Milk Hotel, eventually finding his own voice in original compositions, beginning in earnest while attending Rutgers University.

Since those autumnal collegiate nights, Mike has refined his singing and songwriting in a variety of projects ranging from a home-recording collaboration to an acoustic coffeehouse duo to a frenetic rock trio and back again, all the while favoring melody over gimmickry, minimalism over complexity, with the song itself always the focus. Ferraro’s evocative work has been compared favorably to its major influences while simultaneously transcending the pastiche so common among the hordes of retro-imitators and indie rock hipsters. As John Earls noted in his Planet Sound featured review of Mike’s Pigeon Club demo: “Music this sweet is universal.”

Both solo and with a band, Mike has played regularly throughout NJ and NYC, and beyond, with notable appearances at Maxwell’s in Hoboken, NJ, opening for Lou Barlow (Dinosaur Jr., Sebadoh, Folk Implosion) and at Don Hill’s in NYC for the surprise debut of Norah Jones’ glam rock side-project, El Madmo. Other highlights include: a string of solo dates in the UK (spring 2005), releasing a ten-song cassette compilation, Forgotten How to Lose, for Italy’s Best Kept Secret label, and seeing a song from that release, “Song for Friendship,” featured on NPR’s All Songs Considered: Open Mic and the now defunct, legendary indie rock station WOXY.com.

With a re-tooled power trio in tow, comprised of Jersey indie rock veterans Ralph Capasso on drums and Jonathan Andrew on bass, Mike Ferraro & the Young Republicans are poised to destroy as many stages, parking lots, and VFW halls as necessary in pursuit of indie rock domination.

To that end comes What’s Yours Is Mine, the trio’s debut full-length. Recorded on the cheap in their dilapidated Hoboken warehouse practice space and in various bedrooms and living rooms throughout Hudson County, this striking and meticulously crafted album is sure to thrill rock fans young and old alike.