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ALBUM PROFILES BY MATT COLLIGAN
 Jeanne O'Neill - "impossible"
On Saturday, July 19th, I had arrived at Buddie’s Tavern in Parlin, NJ to play a set for BlowUpRadio.com’s Free Concert Series. Upon my initial interaction with my dear friend Samuel Adams, a silky falsetto had traveled through the room and instantly captivated those fortunate enough to have selected this particular bar. Simultaneously, I had made my way over to Lazlo to share with him my immediate connection with what I was and would be hearing for the subsequent forty-five minutes. Lazlo, then, had offered me the opportunity to review, on record, what I just what I was hearing; “Impossible” by Jeanne O’Neill.
The most salient feature of the record, as a whole, is the creative blend of stringed instruments that served dual functions. The cohabitation of guitars, dobros, and mandolins weaved across sections and added a sweet, warm texture. More importantly, in regards to the songwriting, the fine control of dynamics in the actual performance of parts was a skillful and unique way to showcase the song structure. Further, the absence of a full band, or at least a formal rhythm section, may have in fact hindered the movement of certain transitions and sections throughout the record. As a result, the hooks may actually have the potential to develop even further if the songs are performed with a rhythm section or full band at some point. Upon hearing Jeanne O’Neill at the show, I was certain that I would not be disappointed by the vocal performance. Jeanne’s vocal performance, live and on record, demands the attention of the audience. Given the plethora of variables at a live music venue that compete with the listening experience, I was able to establish more of a stylistic identity via the record. The tonal comparison, if I may, that came to mind was Sheryl Crow. Jeanne has fantastic control and really seems comfortable putting that falsetto on display. - Matt Colligan Songwriter, singer Jeanne O'Neill's debut CD! |
